"Will you to my discourse vouchsafe an eare?" : women dramatists' negotiation of gender and genre on the public stage around 1700
Abstract
Full Text:
PDFReferences
Allestree, R. 1985 (1673). “The Ladies Calling”. The Whole Duty of a Woman: Female Writers in Seventeenth-Century England. Ed. A. Goreau. New York: Dial Press. 43-46.
Avery, E. L., ed. 1960. The London Stage, 1660-1800; A Calendar of Plays. Part 2: 1700-1729. Carbondale: Southern Illinois University Press.
Ballaster, R. 1996. “The First Female Dramatists”. Women and Literature in Britain, 1500-1700. Ed. H. Wilcox. Cambridge: Cambridge University Press. 267-90.
Behn, A. 1677. Abdelazer, or The Moor’s Revenge, a Tragedy as it is Acted at his Royal Highness the Duke’s Theatre. London: printed for J. Mayne and R. Bentley.
Bevis, Richard W. 1988. English Drama: 1660-1789. New York: Longman.
Brathwaite, Richard. 1641 (1631). The English gentlewoman. The English gentleman and The English gentlewoman Both in One Volume Couched. The 3rd edition. London: John Dawson.
Braun, B. 1995. Restoration Actresses during the Reign of Charles II. Trier: Wissenschadtlicher Verlag Trier.
Cavendish, M. 1662. The Unnatural Tragedy. Playes; Written by the Thrice Noble, Illustrious, and Excellent princess the Lady Marchioness of Newcastle. London: A. Warren for John Martyn, James Allestry, and Tho. Dicas.
Clark, C. 1986. Three Augustan Women Playwrights. American University Studies. New York: Peter Lang.
Codrington, R. 1985 (1694). “The Ladies Dictionary”. The Whole Duty of a Woman: Female Writers in Seventeenth-Century England. Ed. A. Goreau. New York: Dial Press. 40-43.
Dryden, John. 1670. Tyrannick Love; or the Royal Martyr, a Tragedy, as it is Acted by his Majesties Servants, at the Theatre Royal. London: H. Herringman.
Ford, J. 1985 (1633). ‘Tis Pity She’s a Whore. 1985. Ed. K. Sturgess. London: Penguin.
Frank, M. 2003. Gender, Theatre, and the Origins of Criticism. Cambridge: Cambridge University Press.
Howe, E. 1992. The First English Actresses: Women and Drama, 1660-1700. Cambridge: Cambridge University Press.
Kelley, A. 2002. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Aldershot: Ashgate.
Lee, N. 1970 (1677). The Rival Queens. Ed. P. F.Vernon. London: Edward Arnold.
Lee, N. 1681. Lucius Junius Brutus. London: R. and J. Tonson.
Manley, M. D. 1696. The Royal Mischief, a Tragedy. London.
Milhous, J., and R. Hume, eds. 1977 (1671). Elizabeth Polwhele, The Frolicks, or The Lawyer Cheated. Ithaca: Cornell University Press.
Nicholl, A. 1992. History of English Drama 1660-1700. Vol 1. Cambridge: Cambridge University Press.
Pearson, J. 1988. The Prostituted Muse: Images of Women and Women Dramatists. Brighton: Harvester.
Polwhele, E. C. 1670. The Faithful Virgins. MS. Rawls Poet. 195. Ff. 49-78. The Bodleian Library.
Prior, M. 1698 (1684). “Satyr on the Modern Translators”. Pecuniæ obediunt omnia. Money masters all things: or, satyrical poems, shewing the power and influence of money over all men. London. 117-22.
Straznicky, M. 1997. “Restoration Women Playwrights and the Limits of Professionalism”. English Literary History 64: 703-26.
Trotter, C. 1698. The Fatal Friendship, a Tragedy. London.
Wharton, A. 1688. Love’s Martyr; or, Witt above Crowns. British Library: Add. MS 28, 693.
Wiseman, J. 1701. Antiochus the Great; or, The Final Relapse. London.
DOI: https://doi.org/10.18172/jes.86
Copyright (c) 2004 Marguérite Corporaal

This work is licensed under a Creative Commons Attribution 4.0 International License.
© Universidad de La Rioja, 2013
ISSN 1576-6357
EISSN 1695-4300