"Northanger Abbey", or, the passions of anti-structure : liminal Politics and Poetics in Jane Austen

Authors

  • Roberto Del Valle Autonomous University of Madrid

DOI:

https://doi.org/10.18172/jes.144

Keywords:

Jane Austen, Gothic novel, communitas, liminality, utopia

Abstract

This essay attempts a political reading of Jane Austen’s Northanger Abbey through its treatment of Gothic imaginaries. By working through an associative coupling of social naivety and literary sensibility, it is argued that the novel articulates a counter-model of interpersonal ethics whilst implicitly staging a criticism of hegemonic values and power relations. In this context, the notion of communitas – as developed by British anthropologist Victor Turner – offers a valuable tool for the critical examination of Austen’s text and historical conjuncture.

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References

Austen, Jane. 1995. Northanger Abbey. London: Penguin.

Berman, Marshall. 1970. The Politics of Authenticity. Radical Individualism and the Emergence of Modern Society. London: George Allen and Unwin.

Botting, Fred. 1996. Gothic. London and New York: Routledge.

Burke, Edmund. 1999 (1790). Reflections on the Revolution in France. Oxford: Oxford University Press.

Deane, Seamus. 1988. The French Revolution and Enlightenment in England 1789-1832. London and Cambridge, Mass.: Harvard University Press.

Eagleton, Terry. 1990. The Ideology of the Aesthetic. Oxford: Blackwell.

Spacks, Patricia Meyer. 2003. Privacy. Concealing the Eighteenth-Century Self. London and Chicago: Chicago University Press.

Tanner, Tony. 1986. Jane Austen. London: Palgrave Macmillan.

Turner, Victor. 1995 (1969). The Ritual Process. Structure and Anti-Structure. New York: Aldine de Gruyter.

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Published

29-05-2009

How to Cite

Del Valle, R. (2009). "Northanger Abbey", or, the passions of anti-structure : liminal Politics and Poetics in Jane Austen. Journal of English Studies, 7, 95–110. https://doi.org/10.18172/jes.144

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Articles