Beyond the Limits of the Literary Work: When Readers Become Censors

Verónica Ortiz Blanco

doi:10.18172/jes.6460

Authors

Verónica Ortiz Blanco Universidad de Oviedo https://orcid.org/0009-0002-6765-8467

DOI:

https://doi.org/10.18172/jes.6460

Keywords:

cultural studies, censorship, sensitivity readers, classic books, publishing industry, children's literature

Abstract

This paper explores the evolving nature of censorship, focusing on its current manifestations in the literary world and its impact on children's literature. It investigates the rise of sensitivity editing, including the revision of classic books, as a modern form of censorship. Through a critical analysis, the study examines the role of sensitivity readers. Findings suggest a shift in censorship practices, increasingly centred on protecting cultural sensibilities. In this context, modern readers may act simultaneously as censors and as victims of censorship. The paper also addresses the posthumous changes of classic literature, driven by the publishing industry’s desire to meet modern expectations, avoid controversies and maximise profits. Ultimately, the study argues against altering literary works to conform to contemporary sensibilities, emphasizing the importance of preserving literature in its original form.

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