La autenticidad y el dialecto literario desde una nueva perspectiva
DOI:
https://doi.org/10.18172/jes.5960Palabras clave:
autenticidad, dialecto literario, ficción literaria, ficción telecinemática, representación lingüística, audienciaResumen
Este artículo presenta una revisión teórica del dialecto literario y la autenticidad y propone un nuevo enfoque destinado a mejorar nuestro conocimiento de estos conceptos. Dicha revisión revela la existencia de una laguna en el estudio del dialecto literario y la autenticidad, donde la mayoría de los investigadores han prestado atención al papel del escritor/creador dejando de lado al lector/público. Los investigadores interesados en la autenticidad del dialecto literario se han centrado tradicionalmente en evaluar hasta qué punto los dialectos literarios se parecen a los dialectos del mundo real. Sin embargo, la idea de que la autenticidad sólo depende de la precisión lingüística con la que el escritor/creador representa el dialecto se ha ido abandonando. Así pues, estudios más recientes han empezado a examinar cómo los lectores/audiencias autentifican (o desautentifican) las representaciones dialectales, centrándose en qué lectores/audiencias evalúan una representación como auténtica y por qué. Este artículo está en línea con la opinión de que la autenticidad depende de las evaluaciones de los lectores/audiencias y sugiere que la autenticidad percibida del dialecto literario puede medirse utilizando métodos similares a los empleados en la investigación de las actitudes lingüísticas.
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