La interacción entre la sátira, la parodia y marcos epistémicos

literatura y ciencia en "La flecha del tiempo" y "¿Sueñan los androides con ovejas eléctricas?"

Autores/as

DOI:

https://doi.org/10.18172/jes.6624

Palabras clave:

sátira, parodia, tecnociencia, marcos epistémicos, temporalidad, división humano/no humano

Resumen

Este artículo analiza la intersección entre sátira, parodia y paradigmas científicos en La flecha del tiempo de Martin Amis y ¿Sueñan los androides con ovejas eléctricas? de Philip K. Dick. Ambas novelas emplean la sátira y la parodia para desafiar nociones dominantes de racionalidad, ética e identidad humana. Amis subvierte la temporalidad para evidenciar los mecanismos ideológicos que presentaron las atrocidades del Holocausto como parte de un progreso racional, mientras que Dick desestabiliza la división humano/no humano, exponiendo la base artificial de las concepciones tecnocientíficas de la identidad. En un contexto donde la inteligencia artificial, los medios digitales y el poder geopolítico transforman la producción del conocimiento, la literatura sigue desempeñando un papel crucial en la exploración de los marcos epistémicos cambiantes. A través del análisis de estas obras, este artículo explora cómo la sátira y la parodia funcionan como puentes entre la literatura y el discurso científico, ilustrando su capacidad para cuestionar y desestabilizar sistemas de pensamiento arraigados.

Descargas

Los datos de descargas todavía no están disponibles.

Citas

Amis, Kingsley. Memoirs. Vintage, 2004.

Amis, Martin. Time’s Arrow. Vintage, 1991.

Atwood, Margaret. The Handmaid’s Tale. Anchor Books, 2017.

Barth, John. The Sot-Weed Factor. Anchor Books, 1987.

Baldick, Chris, editor. The Concise Oxford Dictionary of Literary Terms. 3rd ed., Oxford UP, 2008.

Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. Verso, 1982.

Braidotti, Rosi. The Posthuman. Polity Press, 2013.

Brautigan, Richard. The Hawkline Monster: A Gothic Western. Houghton Mifflin, 1974.

Carroll, Lewis. Alice’s Adventures in Wonderland. Macmillan, 2015.

Coeckelbergh, Mark. “The Moral Standing of Machines: Towards a Relational and Non-Cartesian Moral Hermeneutics.” Philosophy and Technology, vol. 27, no. 1, 2014, pp. 61-77. https://doi.org/10.1007/s13347-013-0133-8

Clark, John R. The Modern Satiric Grotesque and Its Traditions, University Press of Kentucky, 1991.

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi, University of Minnesota Press, 1987.

Delogu, C. Jon. “‘Shit Happens’: Grotesque-Reality in the Narrative Fictions of Ian McEwan.” Ré-inventer le réel, edited by Thomas Dutoit and Trevor Harris, Presses Universitaires François-Rabelais, 1999, pp. 61-71. https://doi.org/10.4000/books. pufr.4122

de la Concha, Ángeles, et al. English Literature IV: The Postmodern Turn. UNED.

de Lucas Martín, Javier. Blade Runner: El Derecho, guardián de la diferencia. Tirant lo Blanch, 2002.

Dick, Philip K. Do Androids Dream of Electric Sheep? Gollancz, 2010.

Finney, Brian. “Martin Amis’s Time’s Arrow and the Postmodern Sublime.” Martin Amis: Postmodernism and Beyond, edited by Gavin Keulks, Palgrave Macmillan, 2006, pp. 101-116. https://www.doi.org/10.1057/9780230598478_8

Galvan, Jill. “Entering the Posthuman Collective in Philip K. Dick’s Do Androids Dream of Electric Sheep?” Science Fiction Studies, vol. 24, no. 3, 1997, pp. 413-29, www.jstor.org/stable/4240644

Gomoll, Lucian. “Posthuman Performance.” Total Art Journal, vol. 1, no. 3, Aug. 2011, pp. 1-15.

Gopnik, Adam. “Blows Against the Empire: The Return of Philip K. Dick.” The New Yorker, 13 Aug. 2007. www.newyorker.com/magazine/2007/08/20/blows-against-the-empire

Gross, Paul. and Levitt, Norman. Higher Superstition: The Academic Left and its Quarrels with Science. Johns Hopkins UP, 1994.

Griffin, Dustin H. Satire A Critical Reintroduction. University of Kentucky Press, 1994.

Harris, Greg. “Men Giving Birth to New World Orders: Martin Amis’s Time’s Arrow.” Studies in the Novel, vol. 31, no. 4, 1999, pp. 489-505. www.jstor.org/stable/29533359

Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. University of Chicago Press, 1999.

Hegel, G. W. F. Elements of the Philosophy of Right. Translated by H. B. Nisbet, edited by Allen W. Wood, Cambridge UP, 1991.

Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Methuen, 1985.

Hutcheon, Linda. The Politics of Postmodernism. Routledge, 2002.

Hawking, Stephen. A Brief History of Time. Bantam Books, 1988.

Horkheimer, Max, and Theodor W. Adorno. Dialectic of Enlightenment: Philosophical Fragments. Translated by Edmund Jephcott, Stanford UP, 2002.

Ishiguro, Kazuo. Klara and the Sun. Knopf, 2021.

Jameson, Fredric. Postmodernism, or the Cultural Logic of Late Capitalism. Duke UP, 1991.

Joyce, James. Ulysses. Vintage International, 1990.

Kernan, Alvin B. The Plot of Satire. Yale UP, 1965.

Latour, Bruno. We Have Never Been Modern. Harvester Wheatsheaf, 1993.

Leyburn, Ellen Douglass. Satiric Allegory: Mirror of Man. Yale UP, 1956.

McEwan, Ian. Machines Like Me. Jonathan Cape, 2019.

McEwan, Ian. The Comfort of Strangers. Vintage International, 1992.

Menke, Richard. “Narrative Reversals and the Thermodynamics of History in Martin Amis’s Times Arrow.” Modern Fiction Studies, vol. 44, no. 4, 1998, pp. 959-980. www.jstor.org/stable/26285325

Paulson, Ronald. The Fictions of Satire. Johns Hopkins UP, 1967.

Pynchon, Thomas. Gravity’s Rainbow. Viking Press, 1973.

Pynchon, Thomas. The Crying of Lot 49. Vintage Classics, 2022.

Scott, Ridley, director. Blade Runner. Performance by Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, Warner Bros., 1982.

Swift, Jonathan. Four Notable Works by Jonathan Swift. Benediction Classics, 2013.

The South Bank Show. “Martin Amis.” Directed by Gillian Greenwood, season 13, episode 1, London Weekend Television, 17 Sept. 1989.

Verbeek, Peter-Paul. Moralizing Technology. Understanding and Designing the Morality of Things. University of Chicago Press, 2011.

Vinci, Tony M. “Posthuman Wounds: Trauma, Non-Anthropocentric Vulnerability, and the Human/Android/Animal Dynamic in Philip K. Dick’s Do Androids Dream of Electric Sheep?” The Journal of the Midwest Modern Language Association, vol. 47, no. 2, 2014, pp. 91-112. http://www.jstor.org/stable/44066191

Vonnegut, Kurt. Slaughterhouse-Five. Dell, 1991.

Wells, H. G. The Time Machine. Martino Fine Books, 2011.

Woolf, Virginia. Mrs. Dalloway. Harcourt, 2005.

Descargas

Publicado

12-09-2025

Cómo citar

Izquierdo Berasaluce, U. (2025). La interacción entre la sátira, la parodia y marcos epistémicos: literatura y ciencia en "La flecha del tiempo" y "¿Sueñan los androides con ovejas eléctricas?". Journal of English Studies, 23, 117–140. https://doi.org/10.18172/jes.6624

Número

Sección

Artículos