The world within the word: a Lacanian reading of William Gass’s "Emma enters a sentence of Elizabeth Bishop’s"

Authors

  • Sara Saei Dibavar University of Isfahan
  • Hossein Pirnajmuddin University of Isfahan

DOI:

https://doi.org/10.18172/jes.3103

Keywords:

William Gass’s Emma Enters a Sentence of Elizabeth Bishop’s, Jacques Lacan, word, world, patriarchal metaphor, neurotic subject’s consciousness

Abstract

“Emma Enters a Sentence of Elizabeth Bishop’s” by William H. Gass addresses the human condition in terms of desire and consciousness in fiction by depicting characters that are being suffocated under the force of circumstances. Application of Lacanian theories to Gass’s novella sheds some light on the unconscious features of its main character, Emma, whose neurosis caused by her father’s extremism in acting out his patriarchal role is presented in the form of disparate, metonymical chunks ‘disseminated’ through the narrative – itself fragmentary. Broken pieces of Emma’s narrative put together through the medium of language highlight how her actions stem from her unconscious pathological motivations. Also discussed is the process through which she manages to find a way out of her plight.

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Author Biographies

Sara Saei Dibavar, University of Isfahan

PhD Candidate of English Literature at the University of Isfahan

Her interests include literary theory, cultural studies, and modern/postmodern fiction. Her most recent contributions includes the translation of a chapter of De Certeau’s book entitled “Believing and Making People Believe” to be included in a collection on cultural studies in Iran.

Hossein Pirnajmuddin, University of Isfahan

Associate Pofessor of English literature at the University of Isfahan

His interests include Renaissance literature, literary theory and contemporary fiction. His most recent book is titled: East of Representation: The East in English Renaissance Literature (2014).

References

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Fogel, Stanley. 2005. “William H. Gass”. Review of Contemporary Fiction 25 (2): 1-39.

Gass, William H. 1970. “Medium of Fiction”. Fiction and the Figures of Life. New York: Knopf. 27-33.

Gass, William H. 1997. “On Talking to Oneself”. Habitations of the Word: Essays. Cornell University Press. 91-101.

Gass, William H. 1998. Cartesian Sonata and Other Novellas. New York: Basic Books.

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Madera, John. “Sentenced to Depth: An Interview with William H. Gass”. <http://www.raintaxi.com/online/2013 spring>. (Accessed 24 August 2015).

Monti, Enrico. 2006. “Dwelling upon Metaphors: The Translation of William Gass’s Novellas”. Nordic Journal of English Studies 5 (1): 117-132.

Morris, Pam. 1993. Literature and Feminism: An Introduction. Oxford, UK: Blackwell.

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Review of Cartesian Sonata and Other Novellas, by Willim H. Gass, Kirkus Reviews. <https://www.kirkusreviews.com/book-reviews/william-h-gass/cartesian-sonata>. (Accessed 1 April 2017).

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Published

28-11-2017

How to Cite

Saei Dibavar, S., & Pirnajmuddin, H. (2017). The world within the word: a Lacanian reading of William Gass’s "Emma enters a sentence of Elizabeth Bishop’s". Journal of English Studies, 15, 279–294. https://doi.org/10.18172/jes.3103

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