Vol. 15 (2017)

• Seduction as instruction: the female author as Pygmalion in long Eighteenth-Century quixotic novels

  Miriam Borham-Puyal

  7-30

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• Charity institutions as networks of power: how Anzia Yezierska's characters resist philanthropic surveillance

  Rebeca E. Campos

  31-52

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• Roald Dahl’s look at the British Empire through his two short stories “Poison” and “Man from the South”

  Luis de Juan

  53-70

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• Narrative representations of masculinity. The hard werewolf and the androgynous vampire in "Anita Blake: Vampire Hunter Series"

  Virginia Fusco

  71-88

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• Approaching Erasmus students’ intercultural communicative competence through their socialisation patterns

  Gloria Gutiérrez Almarza, Ramiro Durán Martínez, Fernando Beltrán Llavador

  89-106

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• The influence of CLIL on receptive vocabulary: a preliminary study

  Kevin Iglesias Diéguez, María Martínez-Adrián

  107-134

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• A fragment of the world, a piece of human consciousness: Tim Bowling’s "The Bone Sharps" (2007) and "The Tinsmith" (2012)

  Leonor María Martínez Serrano

  135-154

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• Wars and heroes: the romantic representation of Spain in "Don Juan; or the Battle of Tolosa" (1816)

  Sara Medina Calzada

  155-172

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• On the applicability of the dictionaries of Old English to linguistic research

  Darío Metola Rodríguez

  173-191

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• The use of political cartoons during popular protests: the case of the 2011 Tunisia uprising

  Chaker Ali Mhamdi

  193-220

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• Living in the posthuman network society: mobility and surveillance in “Blackhat”

  Esther Muñoz González

  221-234

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• Analysing teachers' roles regarding cross-curricular coordination in Content and Language Integrated Learning (CLIL)

  Víctor Pavón Vázquez, María del Carmen Méndez García

  235-260

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• Do anxiety and English proficiency level affect writing performance in second language (L2) learning?

  Clemente Rodríguez-Sabiote, Lidia Serna-Quiles, José Álvarez-Rodríguez, Rosa Pilar Gámez-Durán

  261-278

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• The world within the word: a Lacanian reading of William Gass’s "Emma enters a sentence of Elizabeth Bishop’s"

  Sara Saei Dibavar, Hossein Pirnajmuddin

  279-294

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Reviews

• Fernández-Caparrós, Ana (2015). “El teatro de Sam Shepard en el Nueva York de los sesenta”. Valencia, Biblioteca Javier Coy: Publicaciones de la Universidad de Valencia. 222 pp.

  Mª Laura Arce Álvarez

  295-297

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