Borders and cosmopolitanism in the global city: “London River”

Ana Virginia López Fuentes

doi:10.18172/jes.3523

Autores/as

Ana Virginia López Fuentes Universidad de Zaragoza

DOI:

https://doi.org/10.18172/jes.3523

Palabras clave:

Estudios fílmicos, “London River”, cosmopolitismo, fronteras, borderlands, ciudades globales

Resumen

Este artículo explora la representación de las fronteras y el cosmopolitismo en la ciudad de Londres en “London River”, una película en la que una madre y un padre buscan a sus hijos alrededor de toda la metrópolis después de los atentados del 7 de julio de 2005. En “London River”, los diferentes espacios de la ciudad actúan simultáneamente como líneas divisorias, y a su vez, como borderlands, destacando la doble naturaleza de las fronteras teorizada por Gloria Anzaldúa (1999), Mike Davis (2000) y Anthony Cooper y Christopher Rumford (2011). Este trabajo utiliza el concepto de “Cosmopolitan Canopy” de Elijah Anderson y el de “Moments of Openness” de Gerard Delanty para analizar el tipo de cosmopolitismo que se articula en los diferentes espacios construidos en la película.

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Biografía del autor/a

Ana Virginia López Fuentes, Universidad de Zaragoza

Profesora Asociada de la Universidad de Zaragoza en el departamento de Filología Inglesa y Alemana.

Citas

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