Counter-revolutionary transformations of Charles I in Burke, Austen and Scott

Dani Napton; A. D. Cousins

doi:10.18172/jes.3033

Autores/as

Dani Napton Macquarie University
A. D. Cousins Macquarie University

DOI:

https://doi.org/10.18172/jes.3033

Palabras clave:

Contrarrevolución, Carlos I, Edmund Burke, Jane Austen, Walter Scott, mitología.

Resumen

Pocos negarían el carácter único de Carlos I en la historia británica. Las voluminosas interpretaciones de Carlos desde su ejecución reflejan ampliamente el impacto de su mito en las generaciones posteriores. Este artículo estudia las mitificaciones del monarca ejecutado llevadas a cabo por Edmund Burke, Jane Austen y Walter Scott. Estos tres escritores, aunque en grados distintos y de modos diferentes, vieron la pertinencia del mito respecto a los debates contra la revolución, entonces en boga; es decir, respecto a la defensa de la contrarrevolución en el tiempo de la Revolución francesa o a la sombra de ésta. En concreto, el artículo se centra inicialmente en Reflections on the Revolution in France, de Burke, que configuró el marco de gran parte del pensamiento conservador desde 1790. A partir de ahí se consideran las afinidades y divergencias entre el texto de Burke y las obras de ficción y no-ficción de los políticamente conservadores Jane Austen y Walter Scott. Se atiende especialmente a dos mitos precedentes creados y autorizados por el propio monarca que perduraron durante y más allá de los siglos dieciocho y diecinueve: Carlos como Mártir real y Carlos como Cristo (y, por consiguiente, como intercesor a favor de su pueblo).

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Biografía del autor/a

Dani Napton, Macquarie University

Dani Napton is an Honorary Associate at Macquarie University, and has published numerous articles on English non-dramatic literature and culture 1750-1900, with special attention to: the history of ideas; rhetorical theory and practice; genre; landscape/place narrative; historiography; and representations of revolution and counter-revolution. She has co-edited The French Revolution and the British Novel in the Romantic Period with A. D. Cousins and Stephanie Russo. Her research interests include politics and theologies of power, with special attention to: political and associated theological conservatism spanning the 17^thand 19^th centuries; political theory; and politics and the novel c. 1600-1850.

A. D. Cousins, Macquarie University

A. D. Cousins is Professor of English at Macquarie University, and has published fourteen books internationally, including monographs on Andrew Marvell, Thomas More, Shakespeare's non-dramatic verse, and on religious verse of the sixteenth and seventeenth centuries. He has published many articles, all in refereed and, for the most part, international journals. He is on the Editorial Board of Moreana, the international journal of More and Erasmus studies, and is a member of the Editorial Board of the Journal of Language, Literature and Culture. His research interests include the literature and culture of early modern England, the historiography of the history of ideas, and utopian narrative.

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