Discussing the Feminist Agenda in Margaret Atwood’s Dystopian Novels: "The Handmaid’s Tale" and "MaddAddam"

Esther Muñoz González

doi:10.18172/jes.4809

Autores/as

Esther Muñoz González Universidad de Zaragoza https://orcid.org/0000-0002-8768-4075

DOI:

https://doi.org/10.18172/jes.4809

Palabras clave:

Atwood, distopía feminista, distopías y finales, utopías transgresivas

Resumen

En este artículo se hace un análisis de las novelas de Margaret Atwood The Handmaid’s Tale (1985) y MaddAddam (2013) desde las perspectivas de los roles de género y de género literario. The Handmaid’s Tale fue una de las novelas que marcó el giro hacia las distopías, mientras que MaddAddam es para algunos críticos una distopía crítica feminista en la que el final todavía retiene la esperanza de un futuro mejor. En consecuencia, ambas novelas pertenecen a priori a una rama específica dentro del género distópico: la novela distópica feminista. Sin embargo, se puede deducir cierta ambigüedad o incluso lecturas contradictorias en ambos textos. Este artículo explora el retrato que The Handmaid’s Tale y MaddAddam hacen de las mujeres y de sus actos de resistencia con el fin de analizar los mensajes liberatorios o todavía inherentemente conservadores de sus finales, especialmente con respecto a las mujeres.

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Biografía del autor/a

Esther Muñoz González, Universidad de Zaragoza

Research fellow at the Department of English and German Philology of the University of Zaragoza

Citas

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