Tendencies and challenges of musical programming

Authors

  • Miguel Ángel Marín López Universidad de La Rioja

DOI:

https://doi.org/10.18172/brocar.2539

Keywords:

Concert, music programming, music management, repertory, performer, audience

Abstract

Despite the deeply rooted presence of classical music concerts in our culture and the significant growth in music management as a discipline, there is a striking shortage of theoretical reflections on music programming. This article, written from the programmer’s point of view, aims to contribute to this field. The first section presents an historical overview of concerts; the second outlines the most important tendencies in music programming, particularly in the Anglo-Saxon world; while the third analyses the main challenges a music programmer is faced with today.

Downloads

Download data is not yet available.

Downloads

Published

2013-12-20

How to Cite

Marín López, M. Ángel. (2013). Tendencies and challenges of musical programming. Brocar. Cuadernos De Investigación Histórica, (37), 87–104. https://doi.org/10.18172/brocar.2539

Issue

No. 37 (2013): What is music?

Section

Articles

License

The authors retain copyright of articles and authorize CIF the first publication. They are free to share and redistribute the article without obtaining permission from the publisher as long as they give appropriate credit to the editor and the journal.

Self-archiving is allowed too. In fact, it is recommendable to deposit a PDF version of the paper in academic and/or institutional repositories.

It is recommended to include the DOI number.

This journal is licensed under a Creative Commons Attribution 4.0 International License