The mask and the agon: Euripides and Nietzsche

Authors

  • Roberto Pastor Cristobal Universidad de La Rioja

DOI:

https://doi.org/10.18172/brocar.3543

Keywords:

Euripides, Nietzsche, tragedy, philology, reception

Abstract

The aim of this paper is to study the presence of the Greek thespian Euripides in Nietzschean work until 1876. The survey not only wants to describe the German philosopher’s words but also it will be important to find how an ancient personality could be useful to Nietzsche in order to make a critical interpretation of the Western Civilization artistic and philosophical development.

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Published

2017-12-29

How to Cite

Pastor Cristobal, R. (2017). The mask and the agon: Euripides and Nietzsche. Brocar. Cuadernos De Investigación Histórica, (41), 215–242. https://doi.org/10.18172/brocar.3543

Issue

No. 41 (2017)

Section

Articles

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