The Portrayal of Social Realism in Select Short Stories of Sulaiman Layeq: A Critical Analysis of "The Dawn Over Abasin"

Zabihullah Adabpal; Rameshsingh M. Chauhan

doi:10.18172/cif.7040

Autores/as

Zabihullah Adabpal Kandahar University https://orcid.org/0000-0003-3143-9828
Rameshsingh M. Chauhan Sardar Vallabhbhai Vanijya Mahavidyalaya College https://orcid.org/0000-0003-0556-6743

DOI:

https://doi.org/10.18172/cif.7040

Palabras clave:

Realismo Social, Sulaiman Layeq, Cuentos, Pobreza, Opresión, Explotación

Resumen

Este estudio analiza críticamente la obra literaria contemporánea en lengua pastún The ‎Dawn Over Abasin (1983) de Sulaiman Layeq a la luz del Realismo Social como teoría ‎literaria. Esta colección de cuentos emplea de manera sustancial los elementos del realismo ‎social para representar aspectos fundamentales de la sociedad afgana, especialmente la ‎opresión sistemática de los grupos marginados por parte de fuerzas sociales dominantes ‎tanto en contextos rurales como urbanos. Esta investigación cualitativa se fundamenta en ‎libros relevantes y autorizados en pastún, artículos académicos y fuentes digitales ‎confiables. Se adoptó el enfoque de análisis temático con el fin de garantizar un examen ‎exhaustivo de los temas del realismo social presentes en el texto. Los resultados indican que ‎Layeq demuestra un profundo conocimiento de la sociedad afgana y articula de manera ‎sistemática el realismo social a través de representaciones narrativas convincentes e ‎ilustrativas que refuerzan directa e indirectamente el marco teórico. El autor defiende ‎constantemente a los pobres, los explotados y los oprimidos, al tiempo que condena ‎explícitamente las estructuras opresivas de la sociedad. Por ejemplo, en el cuento «El ‎verdadero héroe», Layeq retrata vívidamente la pobreza predominante y amplifica las voces ‎de los estratos sociales marginados.‎

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