La représentation du réalisme social dans des nouvelles choisies de Sulaiman Layeq

une analyse critique de "L’aube sur l’Abasin"

Auteurs-es

DOI :

https://doi.org/10.18172/cif.7040

Mots-clés :

Réalisme social, Sulaiman Layeq, Nouvelles, Pauvreté, Oppression, Exploitation

Résumé

Cette étude propose une analyse critique de l’œuvre littéraire contemporaine en langue ‎pachtoune The Dawn Over Abasin (1983) de Sulaiman Layeq à travers le prisme du ‎Réalisme social en tant que théorie littéraire. Ce recueil de nouvelles mobilise de manière ‎substantielle les éléments du réalisme social afin de représenter des aspects fondamentaux ‎de la société afghane, notamment l’oppression systématique des groupes marginalisés par ‎des forces sociales dominantes dans les contextes ruraux et urbains. Cette recherche ‎qualitative repose sur des ouvrages pertinents et reconnus en pachtou, des articles ‎scientifiques ainsi que des sources numériques fiables. Une approche d’analyse thématique a ‎été adoptée afin d’assurer un examen approfondi des thèmes du réalisme social présents dans ‎le texte. Les résultats démontrent que Layeq possède une connaissance approfondie de la ‎société afghane et qu’il articule systématiquement le réalisme social à travers des ‎représentations narratives convaincantes et illustratives qui renforcent directement et ‎indirectement le cadre théorique. L’auteur soutient constamment les pauvres, les exploités et ‎les opprimés, tout en condamnant explicitement les structures oppressives de la société. Par ‎exemple, dans la nouvelle « Le véritable héros », Layeq dépeint avec force la pauvreté ‎dominante et amplifie les voix des couches sociales marginalisées.‎

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Publié-e

2026-03-26

Comment citer

Adabpal, Zabihullah, et Rameshsingh M. Chauhan. « La représentation Du réalisme Social Dans Des Nouvelles Choisies De Sulaiman Layeq : Une Analyse Critique De “L’aube Sur l’Abasin” ». Cuadernos De Investigación Filológica, mars 2026, doi:10.18172/cif.7040.