La représentation du réalisme social dans des nouvelles choisies de Sulaiman Layeq
une analyse critique de "L’aube sur l’Abasin"
DOI :
https://doi.org/10.18172/cif.7040Mots-clés :
Réalisme social, Sulaiman Layeq, Nouvelles, Pauvreté, Oppression, ExploitationRésumé
Cette étude propose une analyse critique de l’œuvre littéraire contemporaine en langue pachtoune The Dawn Over Abasin (1983) de Sulaiman Layeq à travers le prisme du Réalisme social en tant que théorie littéraire. Ce recueil de nouvelles mobilise de manière substantielle les éléments du réalisme social afin de représenter des aspects fondamentaux de la société afghane, notamment l’oppression systématique des groupes marginalisés par des forces sociales dominantes dans les contextes ruraux et urbains. Cette recherche qualitative repose sur des ouvrages pertinents et reconnus en pachtou, des articles scientifiques ainsi que des sources numériques fiables. Une approche d’analyse thématique a été adoptée afin d’assurer un examen approfondi des thèmes du réalisme social présents dans le texte. Les résultats démontrent que Layeq possède une connaissance approfondie de la société afghane et qu’il articule systématiquement le réalisme social à travers des représentations narratives convaincantes et illustratives qui renforcent directement et indirectement le cadre théorique. L’auteur soutient constamment les pauvres, les exploités et les opprimés, tout en condamnant explicitement les structures oppressives de la société. Par exemple, dans la nouvelle « Le véritable héros », Layeq dépeint avec force la pauvreté dominante et amplifie les voix des couches sociales marginalisées.
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