Genre and Stylistic Originality of Kazakh Poetry of the First Half of the Twentieth Century

Mukhit Kozhashev; Alua Temirbolat; Sovetkhan Tleubayev; Karlygash Aisultanova; Ardak Sargeltayeva

doi:10.18172/cif.6323

Authors

Mukhit Kozhashev Abai Kazakh National Pedagogical University
Alua Temirbolat Al-Farabi Kazakh National University
Sovetkhan Tleubayev Al-Farabi Kazakh National University
Karlygash Aisultanova Al-Farabi Kazakh National University
Ardak Sargeltayeva Al-Farabi Kazakh National University

DOI:

https://doi.org/10.18172/cif.6323

Keywords:

national liberation movement, philosophical issues, the originality of versification, Kazakh poetry, nomadic poetry

Abstract

The purpose of the article is to study the uniqueness of Kazakh poetry in the context of world poetry, considering the Kazakh people as a separate ethnic group with a certain mentality and traditions, taking into account the peculiarities of nomadic poetry and its further influence on the development of literature. The fundamental methods for the study of this problem are the method of analysis, within the framework of which there is a selection and study of individual parts of the phenomenon in order to identify the uniqueness of Kazakh poetry, as well as the method of comparison, with the help of which it is possible to identify and qualitatively assess the trends of Kazakh poetry of the first half of the twentieth century in comparison with other centuries. Literature is the science that absorbs external environmental factors and beautifully reflects them on paper, which will help to competently analyse and cope with life's difficulties and problems. The very study of the originality of the genre and style of Kazakh poetry is aimed at educating and raising the level of culture of students within the framework of the program for educational institutions, and in general has enlightening and educational functions.

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