"Long ago" (1889) de Michael Field como paradigma de la teoría intertextual: de la extrañeza a la metaxología

Autores/as

  • Mayron Estefan Cantillo Lucuara Universitat de València

DOI:

https://doi.org/10.18172/cif.3442

Palabras clave:

Long Ago, Michael Field, Safo, intertexto, reescritura

Resumen

En el presente artículo, pretendemos abordar la pregunta de cómo Katherine Bradley y Edith Cooper articulan su íntimo diálogo con la poesía de Safo en su primer poemario, Long Ago (1889), publicado bajo el pseudónimo de Michael Field. La respuesta que proponemos para este interrogante se desarrolla en una profunda reflexión que interpreta Long Ago como un texto denso y audaz donde se revisa y se reubica la ontología del arte literario en posiciones ambivalentes. La conclusión primordial a que llegamos es que el poemario en sí representa todo un paradigma de teoría intertextual aplicada que propicia encuentros complejos, inestables y fértiles ente el inglés y el griego, lo traducible y lo sublime, lo dependiente y lo emancipado, lo mimético y lo original, lo empático y lo distante, lo reparativo y lo fragmentario, lo presente y lo ausente, el ante-tipo y el tipo, lo inmanente y lo transtextual.

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Biografía del autor/a

Mayron Estefan Cantillo Lucuara, Universitat de València

Estudiante de doctorado e investigador en formación del Departament de Filologia Anglesa i Alemanya de la Universitat de València.

Citas

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Publicado

12-11-2018

Cómo citar

Cantillo Lucuara, M. E. «“Long Ago” (1889) De Michael Field Como Paradigma De La teoría Intertextual: De La extrañeza a La metaxología». Cuadernos De Investigación Filológica, vol. 44, noviembre de 2018, pp. 185-10, doi:10.18172/cif.3442.

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