Vol. 35-36 (2009-2010)

Published: 2013-06-21
  • The mechanics of self-awareness in "Breakfast of Champions" by Kurt Vonnegut

    Francisco Javier Vallina Samperio
    7-26
    DOI: https://doi.org/10.18172/cif.1506
  • The compound sentence in the "Curso superior de sintaxis española": a step towards text linguistics

    Olalla Martínez Oronich
    27-48
    DOI: https://doi.org/10.18172/cif.1507
  • The figurative language of corporate alliances

    Isabel Negro Alousque
    49-61
    DOI: https://doi.org/10.18172/cif.1508
  • Multiple implied readers

    José Angel García Landa
    63-75
    DOI: https://doi.org/10.18172/cif.1509
  • Formulaic sequences in the written production of L2 learners of English

    Mar Gutiérrez-Colón, Elisabet Pladevall
    77-104
    DOI: https://doi.org/10.18172/cif.1510
  • News of the Library "Arte y letras" (Barcelona, 1881-1898)

    Borja Rodríguez Gutiérrez
    105-137
    DOI: https://doi.org/10.18172/cif.1511
  • Intergeneric relationships in Fernández de Lizardi’s work (about journalism, narrative and other implications)

    Angel Estévez Molinero
    139-164
    DOI: https://doi.org/10.18172/cif.1512
  • At the beginning... there was the desire. the constitution of the self in the "Character of rain": an interpretation from a psychoanalytic point of view

    Rosa Durá Celma
    165-183
    DOI: https://doi.org/10.18172/cif.1513
  • Le double mimétique dans la robinsonnade ontologique

    Florence Lojacono
    185-196
    DOI: https://doi.org/10.18172/cif.1514
  • An unknown feuilleton of Manuel Ibo Alfaro: "La Virgen de la Pradera"

    Julián Tomás Bravo Vega
    197-222
    DOI: https://doi.org/10.18172/cif.1515
  • Prensa y sociedad a finales del siglo XIX : las "Crónicas" de Maupassant

    Isabel Veloso Santamaría
    223-248
    DOI: https://doi.org/10.18172/cif.1516
  • "Arlequin poli par l'amour" de Marivaux : écriture et langage théâtral

    María Teresa Ramos Gómez
    249-265
    DOI: https://doi.org/10.18172/cif.1517

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