No. 38 (2014): Arte y Patrimonio: Idea, Técnica y Estética

DOI: https://doi.org/10.18172/brocar.num38

Published: 2014-12-17

Presentación

Begoña Arrúe Ugarte, José Javier López de Ocáriz Alzola

7
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Un exemple de l’art roman initial en Alava: l’abside ornée de modillons à double face. Chapelle Nuestra Señora de Elizmendi, Kontrasta

José Javier López de Ocáriz Alzola

11-43
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Visual discourses and religious mentality. The "femme-aux-serpents" and the use of antithetic images in romanesque sculpture

Eukene Martínez de Lagos

45-64
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Christ or devil?: the contradictory symbolic duality of the lion image in the Daniel in the Lions'Den episody in the Romanesque sculpture

Juan Antonio Olañeta Molina

65-81
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The Master of the Amparo's Tympanum of the Pamplona cathedral's cloister

Clara Fernández-Ladreda Aguadé

83-100
- PDF (Español (España))
Un florilège d'exemples pour évoquer la diversité de l'imagerie hispanique du XVIème siècle

José G. Moya Valgañón

103-117
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Construction process of the cloister of San Millán de la Cogolla by Juan Pérez de Olarte

Aurelio A. Barrón García

119-144
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Pieter Brueghel. Trionfo della Morte

Jesús María González de Zárate

145-162
- PDF (Español (España))
Graphic sources for the Baroque paintings of the Church Fathers from Mendiguren (Álava) and La Cerca (Burgos). The fortune of an invention by Pieter de Witte

Jóse Javier Vélez Chaurri, Pedro Luis Echeverría Goñi

163-178
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An approach to the architect Sebastián de Portu (1716-1776)

Myriam Ferreira Fernández

179-193
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Sebastián Martínez, the friend of Goya

Ignacio Gil-Díez Usandizaga

197-209
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The old 19th century vintage cafés of Zaragoza

Mónica Vázquez Astorga

211-239
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The international relevance in Berlanga's cinema

Kepa Sojo Gil

241-254
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Historic environment and destruction of the conventual area of the Monastery of San Millán de la Cogolla, Suso (La Rioja)

Begoña Arrúe Ugarte

257-280
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The restoration of the transept and the hermitage of la Concepción in Enciso (La Rioja): an example of interdiscipline collaboration

Rosana Foncea López, Minerva Sáenz Rodríguez

281-305
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Projects and reform on the church of Santa María de la Redonda in Logroño (La Rioja) to convert it in a cathedral

Sara Ramírez Maya

307-322
- PDF (Español (España))

No. 38 (2014): Arte y Patrimonio: Idea, Técnica y Estética

Presentación

Un exemple de l’art roman initial en Alava: l’abside ornée de modillons à double face. Chapelle Nuestra Señora de Elizmendi, Kontrasta

Visual discourses and religious mentality. The "femme-aux-serpents" and the use of antithetic images in romanesque sculpture

Christ or devil?: the contradictory symbolic duality of the lion image in the Daniel in the Lions'Den episody in the Romanesque sculpture

The Master of the Amparo's Tympanum of the Pamplona cathedral's cloister

Un florilège d'exemples pour évoquer la diversité de l'imagerie hispanique du XVIème siècle

Construction process of the cloister of San Millán de la Cogolla by Juan Pérez de Olarte

Pieter Brueghel. Trionfo della Morte

Graphic sources for the Baroque paintings of the Church Fathers from Mendiguren (Álava) and La Cerca (Burgos). The fortune of an invention by Pieter de Witte

An approach to the architect Sebastián de Portu (1716-1776)

Sebastián Martínez, the friend of Goya

The old 19th century vintage cafés of Zaragoza

The international relevance in Berlanga's cinema

Historic environment and destruction of the conventual area of the Monastery of San Millán de la Cogolla, Suso (La Rioja)

The restoration of the transept and the hermitage of la Concepción in Enciso (La Rioja): an example of interdiscipline collaboration

Projects and reform on the church of Santa María de la Redonda in Logroño (La Rioja) to convert it in a cathedral

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