No. 38 (2014): Arte y Patrimonio: Idea, Técnica y Estética

DOI: https://doi.org/10.18172/brocar.num38
Published: 2014-12-17

  • Presentación

    Begoña Arrúe Ugarte, José Javier López de Ocáriz Alzola
    7
    DOI: https://doi.org/10.18172/brocar.2680

  • Un exemple de l’art roman initial en Alava: l’abside ornée de modillons à double face. Chapelle Nuestra Señora de Elizmendi, Kontrasta

    José Javier López de Ocáriz Alzola
    11-43
    DOI: https://doi.org/10.18172/brocar.2681

  • Visual discourses and religious mentality. The "femme-aux-serpents" and the use of antithetic images in romanesque sculpture

    Eukene Martínez de Lagos
    45-64
    DOI: https://doi.org/10.18172/brocar.2682

  • Christ or devil?: the contradictory symbolic duality of the lion image in the Daniel in the Lions'Den episody in the Romanesque sculpture

    Juan Antonio Olañeta Molina
    65-81
    DOI: https://doi.org/10.18172/brocar.2683

  • The Master of the Amparo's Tympanum of the Pamplona cathedral's cloister

    Clara Fernández-Ladreda Aguadé
    83-100
    DOI: https://doi.org/10.18172/brocar.2684

  • Un florilège d'exemples pour évoquer la diversité de l'imagerie hispanique du XVIème siècle

    José G. Moya Valgañón
    103-117
    DOI: https://doi.org/10.18172/brocar.2685

  • Construction process of the cloister of San Millán de la Cogolla by Juan Pérez de Olarte

    Aurelio A. Barrón García
    119-144
    DOI: https://doi.org/10.18172/brocar.2686

  • Pieter Brueghel. Trionfo della Morte

    Jesús María González de Zárate
    145-162
    DOI: https://doi.org/10.18172/brocar.2687

  • Graphic sources for the Baroque paintings of the Church Fathers from Mendiguren (Álava) and La Cerca (Burgos). The fortune of an invention by Pieter de Witte

    Jóse Javier Vélez Chaurri, Pedro Luis Echeverría Goñi
    163-178
    DOI: https://doi.org/10.18172/brocar.2688

  • An approach to the architect Sebastián de Portu (1716-1776)

    Myriam Ferreira Fernández
    179-193
    DOI: https://doi.org/10.18172/brocar.2689

  • Sebastián Martínez, the friend of Goya

    Ignacio Gil-Díez Usandizaga
    197-209
    DOI: https://doi.org/10.18172/brocar.2690

  • The old 19th century vintage cafés of Zaragoza

    Mónica Vázquez Astorga
    211-239
    DOI: https://doi.org/10.18172/brocar.2691

  • The international relevance in Berlanga's cinema

    Kepa Sojo Gil
    241-254
    DOI: https://doi.org/10.18172/brocar.2692

  • Historic environment and destruction of the conventual area of the Monastery of San Millán de la Cogolla, Suso (La Rioja)

    Begoña Arrúe Ugarte
    257-280
    DOI: https://doi.org/10.18172/brocar.2693

  • The restoration of the transept and the hermitage of la Concepción in Enciso (La Rioja): an example of interdiscipline collaboration

    Rosana Foncea López, Minerva Sáenz Rodríguez
    281-305
    DOI: https://doi.org/10.18172/brocar.2694

  • Projects and reform on the church of Santa María de la Redonda in Logroño (La Rioja) to convert it in a cathedral

    Sara Ramírez Maya
    307-322
    DOI: https://doi.org/10.18172/brocar.2695