Vol. 43 (2017)

DOI: https://doi.org/10.18172/cif.vol43
Published: 2017-11-28

  • Euphemism and Dysphemism during the War of the Spanish Succession (1710-1713): George Ridpath

    Raquel Sánchez Ruiz
    7-31
    DOI: https://doi.org/10.18172/cif.2959

  • Enjeux de l'éloge à Jeanne-Marie Leprince de Beaumont dans les "Lettres sur l'Angleterre, la Hollande et l'Italie" d'Anne-Marie Du Bocage

    María Isabel Corbí Sáez
    33-49
    DOI: https://doi.org/10.18172/cif.2974

  • Some problems of the suffixes with abrupt contact reading

    Antonio Fábregas
    51-71
    DOI: https://doi.org/10.18172/cif.2985

  • Argentine lexicon in the humorous speech

    David Giménez Folqués
    73-92
    DOI: https://doi.org/10.18172/cif.3006

  • Excessive realism in two Mexican thrillers: "Other faces of paradise" (1993), Francisco José Amparán, and "Among dogs" (2009), Alejandro Almazán

    Kenia Aubry
    93-118
    DOI: https://doi.org/10.18172/cif.3019

  • Irish Penelopes: rewritings of the myth in "The Midlands trilogy and Penelope"

    María del Mar González Chacón
    119-137
    DOI: https://doi.org/10.18172/cif.3015

  • Cervantes’s interpolated novels in “The comical history of Don Quixote”

    Raquel Serrano González
    139-166
    DOI: https://doi.org/10.18172/cif.3017

  • Homenaje a Chaplin y al cine burlesco en la trilogía novelesca de Jardiel Poncela

    Cécile François
    167-190
    DOI: https://doi.org/10.18172/cif.3004

  • Novel of campus in Spain 2000-2015

    Susana Gil-Albarellos
    191-207
    DOI: https://doi.org/10.18172/cif.2987

  • Translating dialect in slave narratives: the case of "The Good Lord Bird"

    Miguel Sanz Jiménez
    209-231
    DOI: https://doi.org/10.18172/cif.3007

  • Performative verbs in requests: evidence from eighteenth-century letters

    Fátima Faya Cerqueiro
    233-248
    DOI: https://doi.org/10.18172/cif.2955

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