Vol. 51 (2022)

DOI: https://doi.org/10.18172/cif.vol51
Published: 2022-12-01

  • Scenic genres of 18th Century Spanish theatre bibliographic notes for a theoretical revision

    Alberto Escalante Varona
    3-23
    DOI: https://doi.org/10.18172/cif.5307

  • Inclusive gender A grammatical view

    Antonio Fábregas
    25-46
    DOI: https://doi.org/10.18172/cif.5292

  • Critical edition of the "Danza del caballero peregrino"

    Jorge Ferreira Barrocal
    47-72
    DOI: https://doi.org/10.18172/cif.5502

  • "Antígona González" by Sara Uribe as a collective arrangement of utterance

    Felipe Oliver Fuentes
    73-86
    DOI: https://doi.org/10.18172/cif.5363

  • Plebeian languages in three short stories by Cortázar

    Pablo Martínez Gramuglia
    87-110
    DOI: https://doi.org/10.18172/cif.5456

  • The disputed poet Readings about César Vallejo in the Spanish republican exile and in the Spanish postwar period

    Antonio Rivero Machina
    111-135
    DOI: https://doi.org/10.18172/cif.5330

  • The literary work of don Íñigo López de Mendoza in the study of his phraseology critical review

    Santiago Vicente Llavata
    137-148
    DOI: https://doi.org/10.18172/cif.5211

  • The idealization of pain Leopoldo Alas and Arthur Schopenhauer. Two clarinian stances

    Fernando Villarreal Barajas
    149-171
    DOI: https://doi.org/10.18172/cif.5494

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