Vol. 48 (2020)

DOI: https://doi.org/10.18172/cif.vol48
Published: 2020-12-23

  • Textual strategies and the "Ritual formulario e institución de curas" (1631) by Juan Pérez Bocanegra

    Daniel Astorga Poblete
    3-14
    DOI: https://doi.org/10.18172/cif.4458

  • Dystopian fiction in English: a corpus-driven analysis of esteem in Veronica Roth’s "Divergent" trilogy

    Andrea Burgos Mascarell
    15-36
    DOI: https://doi.org/10.18172/cif.4475

  • Conrado del Campo (1878-1973) and his conception of the lyric drama in "The end of Don Álvaro" (1910)

    Víctor Cantero García
    37-64
    DOI: https://doi.org/10.18172/cif.4627

  • The voice of Carlota de México in the testimony of the character of Auxilio Lacouture in “Los detectives salvajes” by Roberto Bolaño

    Francisco Javier Gil Jacinto
    65-84
    DOI: https://doi.org/10.18172/cif.4860

  • Aspects of melancholy in the novel "Autumn" by Ali Smith

    María Luisa Hernández García
    85-95
    DOI: https://doi.org/10.18172/cif.4520

  • Jajaja, jejeje, jijiji: pragmatic functions associated with transcriptions of laughter in computer-mediated communication in Spanish

    Haakon S. Krohn
    97-120
    DOI: https://doi.org/10.18172/cif.4405

  • Convergences of the “Spoon River Anthology” and “Pedro Páramo”

    Pedro Mármol Ávila
    121-144
    DOI: https://doi.org/10.18172/cif.4916

  • Sonnets in "El mayor imposible" of Lope de Vega

    Raquel Carmen Nieto Moreno de Diezmas
    145-162
    DOI: https://doi.org/10.18172/cif.4882

  • Qualitative study of grammaticalization, constructional change and constructionalization phenomena in the English progressive construction

    Carlos van Arkel-Simón
    163-188
    DOI: https://doi.org/10.18172/cif.4359

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