Vol. 49 (2021)

DOI: https://doi.org/10.18172/cif.vol49
Published: 2021-06-30

  • Albert Cohen and Romain Gary from the “mal de mère” to the “mal de fils” in "Le Livre de ma mère" and "La Promesse de l’aube"

    José Luis Arraez
    3-24
    DOI: https://doi.org/10.18172/cif.4912

  • Paul Auster’s postmodern characters: a relativistic/referential dichotomy

    Jesús Bolaño Quintero
    25-42
    DOI: https://doi.org/10.18172/cif.4959

  • Juan Paul Forner in the gaditana controversy of "El filósofo enamorado" (The Philosopher in Love)

    Piedad Bolaños Donoso, Jesús Cañas Murillo
    43-75
    DOI: https://doi.org/10.18172/cif.5040

  • Miguel Hernández or the call of the blood: from irrepressible sexual desire to unstoppable erotic impulse

    Víctor Cantero García
    77-106
    DOI: https://doi.org/10.18172/cif.4925

  • Irish Mother and Baby Homes’ fostered children reconstructing their past in Phyllis Whitsell’s "My Secret Mother" (2015) and "A Song for Bridget" (2018)

    Elena María Cantueso Urbano, María Isabel Romero Ruiz
    107-125
    DOI: https://doi.org/10.18172/cif.4700

  • For the text of "Vejamen de la luna": critical tradition, versions, and analysis of variants

    Fernando Rodríguez-Mansilla
    127-154
    DOI: https://doi.org/10.18172/cif.5087

  • The battle of Lepanto: a cultural image from history to Spanish literature

    Oana Andreia Sambrian
    155-170
    DOI: https://doi.org/10.18172/cif.5084

  • The mother’s memory: the driving force behind writing in A. Ernaux and D. de Vigan

    María Ángeles Sánchez Hernández, Karine Marie Payet
    171-191
    DOI: https://doi.org/10.18172/cif.5073

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