Vol. 52 (2022)

DOI: https://doi.org/10.18172/cif.vol52
Published: 2022-12-20

  • Figurative analysis of three poems of Jorge Eduardo Eielson

    Jesús Miguel Delgado Del Aguila
    3-25
    DOI: https://doi.org/10.18172/cif.5308

  • Tracking down the authorship of "No está el peligro en la muerte" between Rojas Zorrilla and Jerónimo de la Fuente

    Alberto Gutiérrez Gil
    27-47
    DOI: https://doi.org/10.18172/cif.5582

  • Gongora "Solitudes" from the standpoint of Philosophical Materialism in the domain of teaching Spanish as a Foreign Language

    Javier Julián Enríquez
    49-69
    DOI: https://doi.org/10.18172/cif.5543

  • Two theater proposals against pederasty and cyberbullying: "Hamelin" by Juan Mayorga and "Grooming" by Paco Bezerra

    Noelia López-Souto
    71-96
    DOI: https://doi.org/10.18172/cif.5598

  • About the names for ‘pepper’ in Val de Xálima (Cáceres) a(i)xín and pimentu

    Ana Alicia Manso Flores
    97-126
    DOI: https://doi.org/10.18172/cif.5595

  • Autoimage of Spain and nationalism in "El sol de Sevilla", by Pablo de Olavide (1800)

    Javier Muñoz de Morales Galiana
    127-151
    DOI: https://doi.org/10.18172/cif.5589

  • The construction of meaning of wine descriptions terms

    Montserrat Planelles Iváñez, Elena Sandakova
    153-167
    DOI: https://doi.org/10.18172/cif.5572

  • The value of characters in the bretonian recasting of "Las paredes oyen" by Ruiz de Alarcón

    Simón Sampedro Pascual
    169-188
    DOI: https://doi.org/10.18172/cif.5601

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