Vol. 50 (2021)

DOI: https://doi.org/10.18172/cif.vol50
Published: 2021-12-22

  • American indigenisms in “Los jesuitas quitados y restituidos al mundo” from Agustín Pomposo (1816): Californian Spanish

    Eduardo Alcocer Rodríguez
    3-22
    DOI: https://doi.org/10.18172/cif.5249

  • Baroque "occasionality" in Antonio de Zamora's "Angélica and Medoro" (1722)

    Jordi Bermejo Gregorio
    23-39
    DOI: https://doi.org/10.18172/cif.5271

  • Clearing incognites about "The nail" (1853) by Pedro Antonio de Alarcón (1833-1891): Police story or romantic novel

    Víctor Cantero García
    41-70
    DOI: https://doi.org/10.18172/cif.5113

  • Visual poetry pattern: Álvarez de Velasco’s labyrinths to sor Juana Inés de la Cruz

    David Castañeda Álvarez, Carmen Fernández Galán Montemayor
    71-91
    DOI: https://doi.org/10.18172/cif.5133

  • Interpolations in the Hispanic editions of Virgil: The Helen episode ("Aen". II 567-588)

    Francisco José Morales Bernal
    93-112
    DOI: https://doi.org/10.18172/cif.5042

  • Bad handwriting in Sara Mesa’s narrative

    Blanca Ripoll Sintes
    113-131
    DOI: https://doi.org/10.18172/cif.5180

  • "Tu trembles, carcasse"… Jorge Semprún and the experience of torture

    Rita Rodríguez Varela
    133-145
    DOI: https://doi.org/10.18172/cif.5108

  • The Spanish theater of the Golden Age in Italy from baroque to Arcadia

    Salomé Vuelta García
    147-172
    DOI: https://doi.org/10.18172/cif.5272

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