Vol. 40 (2014)

DOI: https://doi.org/10.18172/cif.vol40
Published: 2014-12-17

  • Quand l’écriture devient catharsis: la trilogie de Neel Doff, le récit d’une femme en quête du moi

    Virginia Iglesias Pruvost
    7-25
    DOI: https://doi.org/10.18172/cif.2656

  • The presence of Cervantes’s traces in the farcical cycle of Federico García Lorca

    Marta Cobo
    27-42
    DOI: https://doi.org/10.18172/cif.2657

  • Manuel Ibo Alfaro’s new writings in "La Ilustración" of Barcelona

    Julián Bravo Vega
    43-74
    DOI: https://doi.org/10.18172/cif.2658

  • "La ocasión": a novel on the edge of hesitation

    Rosa Durá Celma
    75-97
    DOI: https://doi.org/10.18172/cif.2659

  • La corrupción de la sociedad o la lucha del vicio contra la virtud: "La Mode, Conte" (1807) de Boufflers

    Antonio José de Vicente-Yagüe Jara
    99-114
    DOI: https://doi.org/10.18172/cif.2660

  • Contemporary “ramonismos”: the greguería in Juan Manuel de Prada’s, Juan Bonilla’s and Ray Loriga’s works

    Simone Cattaneo
    115-147
    DOI: https://doi.org/10.18172/cif.2661

  • Enrique Jardiel Poncela y la “novela cosmopolita” de principios del siglo XX

    Cécile François
    149-170
    DOI: https://doi.org/10.18172/cif.2662

  • Revolution, disappointment and criticism: the crime fiction in Cuba

    Javier Sánchez Zapatero, Àlex Martín Escribá
    171-189
    DOI: https://doi.org/10.18172/cif.2663

  • The narrator in the translation of children’s literature: literary adaptations of "Don Quixote" into English

    Beatriz M.ª Rodríguez Rodríguez
    191-209
    DOI: https://doi.org/10.18172/cif.2664

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