No. 37 (2013): What is music?

DOI: https://doi.org/10.18172/brocar.num37

Published: 2013-12-20

Introduction

Thomas Schmitt

9-21
- PDF (Español (España))

Encounters with music in the study of the History of art: the contribution of the Monastery of San Millán de la Cogolla (La Rioja)

Begoña Arrue Ugarte

23-60
- PDF (Español (España))
Soundless music of the Adalid Collection or the invisibility of domestic music-making of male elite society during the Restoration period

Carolina Queipo Gutiérrez

61-86
- PDF (Español (España))
Tendencies and challenges of musical programming

Miguel Ángel Marín López

87-104
- PDF (Español (España))
The recording as text, the producer as editor and the performer as interpreter: John Culshaw and Benjamin Britten (1963-1970)

Pablo L. Rodríguez

105-120
- PDF (Español (España))
Literature and music

Esther López Ojeda

121-144
- PDF (Español (España))
Music in music therapy

Patxi del Campo San Vicente

145-154
- PDF (Español (España))
What kind of music teaching today: from paradigm of musical appreciation to XXI Century society

Susana Flores Rodrigo

155-166
- PDF (Español (España))
A magical art of evocation: new music according to Manuel de Falla

Teresa Cascudo García-Villaraco

167-182
- PDF (Español (España))
Ethnomusicology, sounding philosophical: some musical reflection on the debate between analytic and continental thought

Jordi Raventos i Freixa

183-206
- PDF (Español (España))
A particular music history: the contribution of women

Pilar Ramos López

207-224
- PDF (Español (España))
Anything more than music? Reflections after Postmodernism

Antonio Notario López

225-246
- PDF (Español (España))
Music and intelligibility

Edson S. Zampronha

247-262
- PDF (Español (España))
Music as game

Thomas Schmitt

263-286
- PDF (Español (España))
Music and madness: from divine lyre to indeterminism

Daniel Martín Sáez

287-326
- PDF (Español (España))
Seven contemporary topics

Luis Ángel de Benito

327-340
- PDF (Español (España))