No. 37 (2013): What is music?

DOI: https://doi.org/10.18172/brocar.num37
Published: 2013-12-20

  • Introduction

    Thomas Schmitt
    9-21
    DOI: https://doi.org/10.18172/brocar.2536

  • Encounters with music in the study of the History of art: the contribution of the Monastery of San Millán de la Cogolla (La Rioja)

    Begoña Arrue Ugarte
    23-60
    DOI: https://doi.org/10.18172/brocar.2537

  • Soundless music of the Adalid Collection or the invisibility of domestic music-making of male elite society during the Restoration period

    Carolina Queipo Gutiérrez
    61-86
    DOI: https://doi.org/10.18172/brocar.2538

  • Tendencies and challenges of musical programming

    Miguel Ángel Marín López
    87-104
    DOI: https://doi.org/10.18172/brocar.2539

  • The recording as text, the producer as editor and the performer as interpreter: John Culshaw and Benjamin Britten (1963-1970)

    Pablo L. Rodríguez
    105-120
    DOI: https://doi.org/10.18172/brocar.2540

  • Literature and music

    Esther López Ojeda
    121-144
    DOI: https://doi.org/10.18172/brocar.2541

  • Music in music therapy

    Patxi del Campo San Vicente
    145-154
    DOI: https://doi.org/10.18172/brocar.2542

  • What kind of music teaching today: from paradigm of musical appreciation to XXI Century society

    Susana Flores Rodrigo
    155-166
    DOI: https://doi.org/10.18172/brocar.2543

  • A magical art of evocation: new music according to Manuel de Falla

    Teresa Cascudo García-Villaraco
    167-182
    DOI: https://doi.org/10.18172/brocar.2544

  • Ethnomusicology, sounding philosophical: some musical reflection on the debate between analytic and continental thought

    Jordi Raventos i Freixa
    183-206
    DOI: https://doi.org/10.18172/brocar.2545

  • A particular music history: the contribution of women

    Pilar Ramos López
    207-224
    DOI: https://doi.org/10.18172/brocar.2546

  • Anything more than music? Reflections after Postmodernism

    Antonio Notario López
    225-246
    DOI: https://doi.org/10.18172/brocar.2547

  • Music and intelligibility

    Edson S. Zampronha
    247-262
    DOI: https://doi.org/10.18172/brocar.2548

  • Music as game

    Thomas Schmitt
    263-286
    DOI: https://doi.org/10.18172/brocar.2549

  • Music and madness: from divine lyre to indeterminism

    Daniel Martín Sáez
    287-326
    DOI: https://doi.org/10.18172/brocar.2550

  • Seven contemporary topics

    Luis Ángel de Benito
    327-340
    DOI: https://doi.org/10.18172/brocar.2551